Loomish
A dialogue between heritage, craft, and presence.
Every space has a different story.We begin there.
No two projects ask the same question. Some arrive with moodboards. Some with a feeling. Others with nothing more than an idea. We simply begin where you are, and let the space lead the rest.
Discover Suzani
A garden kept in the dark
Suzani means needle. The originals were embroidered over years often begun at a daughter's birth, finished for her wedding. This is Loomish's reading of that patience in hand-knotted pile: pomegranates, sun-rosettes, and a field of green and gold blooming out of pure black. One piece. No second.

Loomish Kazak
The Caucasus
Abstraction a century early
Before modernism had the word, weavers in the Caucasus were already drawing it.
Big medallions, latch-hooked stars, colour set down with total nerve. Look long enough and the shapes start to hum: forms that feel less drawn than landed, holding still in the open.
Kazak is the loudest thing Loomish makes. Heavy wool, large geometry, red and indigo that hold a room by force. Made by hand, generations deep and somehow ahead of us still.
- Origin
- The Caucasus
- Signature
- Medallions and latch-hooked stars
- Palette
- Red and indigo
- Wool
- New Zeland Wool
More than one room?
Tell us how many and we'll put a Kazak selection together for you.
Get a quote on WhatsApp
Loomish Khotan
The Silk Road
Born on the Silk Road
Not every carpet belongs to a single place.
Khotan was shaped where worlds met along the Silk Road, where Persian artistry, Chinese ornament and Central Asian craftsmanship gradually became one.
The result is a collection rich in colour, character and stories that still feel remarkably alive today.
- Origin
- The oasis of Khotan, on the Silk Road
- Signature
- Pomegranates, cloud collars, florals
- Material
- Silk
- Knotted
- By hand
More than one room?
Tell us how many and we'll put a Khotan selection together for you.
Get a quote on WhatsAppLoomish Rare
Single pieces. One of each.
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Suzani
Suzani means needle. The originals were embroidered over years, often begun at a daughter's birth and finished for her wedding.
This is Loomish's reading of that patience in hand-knotted pile: pomegranates, sun-rosettes, and a field of green and gold blooming out of pure black. One piece. No second.
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Damask
Bold without being loud, this Damask is a study in contrast. Deep black meets soft ivory in an oversized ornamental pattern that feels both timeless and strikingly modern.
At 5 × 8.3 ft, it does not simply complete a room. It becomes its focal point.




























